Dun-dun-dun! A monthly update actually within the month! XD
The biggest news is that The Man Called Bacchus (shinjinkouen) project is complete! Yay! For all of you who requested less noir and more period costumes, this one is for you♥ Also, the leads are so fabulous you wouldn't even think it was a shinjinkouen (Konno Mahiru had seven shinko leads before she made top star), and who doesn't adore Mirai Yuuki's singing?
Next, I've added Der Zigeunerbaron (shinjinkouen) to the in-progress list of projects. I decided to add this one because although it isn't technically as well done as the shinko above, it is so completely different from the honkouen (the regular performance) that I thought it would be a fun comparison for folks who bought the DVD. And boy, am I not kidding -- in some cases completely different characterizations (and costumes), completely different interpretations of the script, completely different staging. I've never seen a shinko so different from the honkouen. I'm madly curious how much was Tani-sensei's call, or Ueda Kumiko-sensei's, or the girls themselves. (And if it was all Ueda Kumiko's, I really can't wait for her first show!)
Other projects:
La Mariposa (On Hold)
Never Say Goodbye (Final Edits)
Romantica Takarazuka '04 (Subtitling)
Sora Fantasista!! (Final Edits)
The biggest news is that The Man Called Bacchus (shinjinkouen) project is complete! Yay! For all of you who requested less noir and more period costumes, this one is for you♥ Also, the leads are so fabulous you wouldn't even think it was a shinjinkouen (Konno Mahiru had seven shinko leads before she made top star), and who doesn't adore Mirai Yuuki's singing?
Next, I've added Der Zigeunerbaron (shinjinkouen) to the in-progress list of projects. I decided to add this one because although it isn't technically as well done as the shinko above, it is so completely different from the honkouen (the regular performance) that I thought it would be a fun comparison for folks who bought the DVD. And boy, am I not kidding -- in some cases completely different characterizations (and costumes), completely different interpretations of the script, completely different staging. I've never seen a shinko so different from the honkouen. I'm madly curious how much was Tani-sensei's call, or Ueda Kumiko-sensei's, or the girls themselves. (And if it was all Ueda Kumiko's, I really can't wait for her first show!)
Other projects:
La Mariposa (On Hold)
Never Say Goodbye (Final Edits)
Romantica Takarazuka '04 (Subtitling)
Sora Fantasista!! (Final Edits)
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